![]() ![]() The routing after that is all dependent on how you setup your channels/mixer/features. You would then use 2 channels on your Mixer, one pan left, one pan right, this would be the simplest.ĭepending on your Mixer you can use a stereo channel if it has one, or group 2 mono channels into a stereo group. (I am not affiliated with product/brand nor website, this is only an example) Search around on the internet there are lots of tutorials about DI boxes, their use, and explanations.Īn example of a passive DI would be this, which would be used by DJ's to do exacltly what you want to do connecting consumer equipment to pro audio. Active DI's will require a power source/supply. There are various DI's on the market, both "active" as "passive" with different price tags and different specifications. impedance matching, RCA unbalanced out is likely to be high impedance, while XLR in of the mixing desk will expect low impedance.attenuation if needed, most DI boxes have attenuators/pad's.level adjustment between consumer grade equipment and pro audio (with and "active" DI).ground isolation (lift) to avoid ground loops and hum.I would not use the Y-cable as indicated.įor the best solution, albeit a bit expensive, I would use a DI, with 2 RCA in, and 2 XLR out. A balanced connection, due to it's greater noise immunity and stronger signal in the receiving end, is highly advisable for any distance greater than 10 meters.Īnyway, connect each output XLR connector to a input channel on your mix and hardpan each of these two channels left and right as required to recover the original stereo panning. If that's not the case then Edwin van Mierlo's recommendation of using an active device with a balanced output is applicable. I'm assuming that the stereo source will be positioned near the mixer. You can also get a pair of passive converters like this one and use normal RCA cables for more flexibility in physically positioning the pieces of equipment. Find out wich RCA connector is connected to pin 2 of the XLR connector and use that one in both Y cables (just leave the other RCA connector free in both Y cables, taking care not to let its contacts touch anything, to avoid interferences). Since you already have one Y cable, you can do that with another of these Y cables. Since you don't have a balanced signal to begin with, you will have to feed the signal to pin 2 of the XLR connector and leave pin 3 disconnected. If your mixer only has (balanced) XLR inputs (otherwise, as has been pointed out in some comments, the simplest way would be to use the RCA or Jack line level inputs), what you need is to feed each channel of the stereo signl to a separate XLR input. Only audio components that are different in each of the stereo channels will be audible, everything that's equally panned to both channels will disappear. So, when feeding your stereo signal to a balanced XLR input, you're subtracting your left channel from the right (or ther other way around) and that's what you're feeding to your amp. In an balanced connection, the input device will subtract the inverted polarity signal from the normal polarity signal in order to get the proper signal for that channel. That's not the case with normal performance and PA devices, where the XLR connectors are used to carry a single channel balanced signal. You can only use that type of connection with a system that specifically uses XLR type connectors for stereo signals. ![]() The splitter cable you're using combines the 2 stereo inputs into the 3 pin XLR connector, putting the left channel in pin 2 and the right in pin 3, or the other way around. ![]()
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